• Artist Bio
  • Mediumship
  • Cavern House Shop
  • Contact
  • Cavern Visions Blog
  • Snapshots
    • Cartoonists for Palestine
    • Basel
    • The Resistance
    • Chapter One: Flight
    • Sleeping Standing Up
    • Silently Gathering Force
    • Devil's Bluff
    • Fever Of Stingrays
    • Patient & Seething
    • Sinister Laughter
  • Ode to Keisha
    • Ask For Directions
    • Cold Case Killer Clowns
    • Filipina Beauty Queen #1
    • Filipinx Beauty Queen #2
    • Hourly Comics Day 2022
    • The New Yorker #1
    • The New Yorker #2
    • The New Yorker #3
    • The New Yorker #4
    • The New Yorker #5
    • trinidad #1
    • You Think You're Funny
    • Free Me Fast
    • HEPPAC
    • The Nib: Bakla
    • The Nib: The Colonial Roots of Cheese Pimiento
    • The Nib: Deep Sea Colors
    • The Nib: The Future
    • The Nib: Me Too
    • The Nib: Who Gets to Live in the City of the Future
    • The Washington Post
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Trinidad Escobar

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All funds collected from the shop, services, & sessions are donated to mutual aid

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Trinidad Escobar

  • Artist Bio
  • Mediumship
  • Cavern House Shop
  • Contact
  • Cavern Visions Blog
  • Snapshots
  • Comics 4 Mutual Aid
    • Cartoonists for Palestine
    • Basel
    • The Resistance
  • Crushed
    • Chapter One: Flight
    • Sleeping Standing Up
    • Silently Gathering Force
  • Arrive In My Hands
    • Devil's Bluff
    • Fever Of Stingrays
    • Patient & Seething
    • Sinister Laughter
  • Ode to Keisha
  • Humor
    • Ask For Directions
    • Cold Case Killer Clowns
    • Filipina Beauty Queen #1
    • Filipinx Beauty Queen #2
    • Hourly Comics Day 2022
    • The New Yorker #1
    • The New Yorker #2
    • The New Yorker #3
    • The New Yorker #4
    • The New Yorker #5
    • trinidad #1
    • You Think You're Funny
  • Journalism & Essays
    • Free Me Fast
    • HEPPAC
    • The Nib: Bakla
    • The Nib: The Colonial Roots of Cheese Pimiento
    • The Nib: Deep Sea Colors
    • The Nib: The Future
    • The Nib: Me Too
    • The Nib: Who Gets to Live in the City of the Future
    • The Washington Post
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